who the he'll is that Fire who

Hi. Jaime. You?

Marlene

Marlene,

I never knew quite what you were, and for a time that you were at all.

I remember hearing of you, they said that you existed.

& I remember now him saying that you don’t.

I don’t know if you’re anywhere now.  

I suppose logistically-practically it doesn’t matter.

I love a part of you that once loved my father.

& viche versa.  My father once loved a part of you.

perhaps all of you.

I love the part of you that made my sisters, even if I may not love fully my sisters.

I love any moment that you loved at all.

And I despise every moment, every part of you that ever made my father feel any less than exemplary. 

Because juxtaposed, he is.

And he was by your side.  I hope you knew that.  That there was a man that loved you as he hated so much of you, or loved you when he hated you once.

Goodbye phantom-woman-wife death.  Mother of my sisters, once partner to my father.

—J

Seen.

I saw the minds of my

generation.  Some of them.

I looked & some looked back. 

Never, always temporarily.

Never like it “was”,

or some say “will.”

We sat around smoking cigarettes & 

Marilyn.  

We sat around & said yes to 

this & that, more and more often.

Too much, which would increasingly mean

not enough.

We sat around telling stories, but

usually very little. 

You can usually see in a thunderstorm

of hookah & ashen promises.  

You can see what could be, 

& you say,

“I wish I couldn’t see what could be.”.

It was harder & harder to live, 

and easier & easier to live-half.

You could taste something,

in the air of groping & reaching & reaching

out.  fingers would swipe eachother, connect for an

instant.  And that would usually

be all, end all keep all sacred and inside.

Wandering, I guess, or

buckling down into night languid.

Something.

—J

Reblogged from cinematografo

The Tree of Life

displacemental:

fave man

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displacemental:

fave man

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birdseyeslew:

Cloud Atlas

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birdseyeslew:

Cloud Atlas

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(Source: davidwain)

The Dictionary of Obscure Sorrows: sonder

Reblogged from dictionaryofobscuresorrows

dictionaryofobscuresorrows:

n. the realization that each random passerby is living a life as vivid and complex as your own—populated with their own ambitions, friends, routines, worries and inherited craziness—an epic story that continues invisibly around you like an anthill sprawling deep underground, with elaborate…

at Ortega Forest

at Ortega Forest

strangewood:

Leos CaraxBorn November 22, 1960
“I’m not like Fassbinder, who I envy—I could never write a film a year. I need to feel when I make a film that I’m not the same person who made the one before. I’ve made so few films in my life, it’s hard to consider myself a filmmaker although I know, even if it’s arrogant to say so, that I live in this place, in this island called cinema. I mean, you can inhabit cinema without making film. That’s why cinephilia and cinema are two different things in my mind. I’m not a cinephile. I saw lots of films when I was 16, 17, until I made my second film. I don’t really know much, but, I still inhabit cinema—the way I see things, the way I think. It’s somehow miraculous that cinema exists. It’s an invention. No other art has been invented. Painting, sculpture was already there. When I was 16, 17, I felt so relieved to discover cinema, like it was a place of my own. I call it an island, but it’s like a territory from where you can see life from many different angles.”

Reblogged from strangewood

strangewood:

Leos Carax
Born November 22, 1960

“I’m not like Fassbinder, who I envy—I could never write a film a year. I need to feel when I make a film that I’m not the same person who made the one before. I’ve made so few films in my life, it’s hard to consider myself a filmmaker although I know, even if it’s arrogant to say so, that I live in this place, in this island called cinema. I mean, you can inhabit cinema without making film. That’s why cinephilia and cinema are two different things in my mind. I’m not a cinephile. I saw lots of films when I was 16, 17, until I made my second film. I don’t really know much, but, I still inhabit cinema—the way I see things, the way I think. It’s somehow miraculous that cinema exists. It’s an invention. No other art has been invented. Painting, sculpture was already there. When I was 16, 17, I felt so relieved to discover cinema, like it was a place of my own. I call it an island, but it’s like a territory from where you can see life from many different angles.”

Reblogged from secret-burning-thread

Reblogged from madamsorgan

(Source: jenclaire)